By Jonathan Carroll
While a film-maker commits suicide, his legacy to his outdated good friend is to resolve the riddle of his demise and to accomplish his ultimate, mistaken horror motion picture. This mystery transcends truth into the realm of delusion the place the dwelling and the useless intermingle.
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Extra resources for A Child Across the Sky
But somehow, every time, he was pulled back down into that Midnight shit. "Only once did it look like he was really going to get out of it. But then three things happened: An angel appeared, and let's assume for a minute it really was an angel and not just some strange little girl. She told him not to shoot the scene. But he did. Result? Two of his best friends were killed in an accident so bizarre no one can believe it. "You don't think there're links there? You don't see cause and effect? In the end, the Other Guy won everything: brilliant movies that made Bloodstone a cult figure.
They were depraved, both the films and the people who paid to go see them. " "What do you think is a good movie, Mr. " He wasn't used to being questioned, especially by a woman, so he looked Sasha over carefully before answering her. "A good movie? Citizen Kane. The Seventh Seal. " Facing him in the limousine seat, Sasha sat far forward so they were very close. " He didn't like her closeness but wasn't about to be topped. "Oh, I don't know. Kipling's good; I've just been rereading him. Evelyn Waugh.
But Phil used him for all the Midnight films, because he knew how good Artus was and because sound is one of the most important elements in a horror film. The two of them were comfortable with each other. I'd worked with Rainer on one film but found him too aloof, too authoritarian, and always secretly wondered if he had been a Nazi in his time. Phil said no, but I wasn't so sure. I did know that Artus had had a very difficult childhood in Germany with a mother straight out of some Freudian study.