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Extra resources for Coldplay X&Y: For Piano, Voice and Guitar (Pvg)
He looked really unhealthy. With Nicholas around, Julius wasn’t surprised. It had been Gregorio’s choice to leave the Charetty company and join Nicholas. The last time Nicholas had been in Bruges, Tilde and her sister had had him arrested. Julius said, ‘I told her she damned well had to be polite, but you’ll never get her to trust him. All right, you came to Bruges and convinced her you could set up a branch without harming her. But now here’s Nicholas back, with a reputation that would sicken a weasel.
His gaze, mild enough, reached her face by way of the stuff of her gown and her pendant. And Tilde, sustaining the survey, tilted her head and returned him a smile that made Julius wince. Nicholas gave no sign at all that he noticed it. He said, ‘It sets you off, as is perfectly fitting. I don’t want to quarrel. We shan’t do you any harm with our branch. ’ ‘I know. ’ Tilde remarked. ‘To the Vatachino. ’ If you looked closely, you could see she was breathless. ‘Everyone in business has a frightening story about the Vatachino,’ Julius said quickly.
It is fiction, but the setting at least is very real. The man I have called Nicholas de Fleury lived in the mid-fifteenth century, three generations before Francis Crawford, and was reared as an artisan, his gifts and his burdens concealed beneath an artless manner and a joyous, sensuous personality. But he was also born at the cutting edge of the European Renaissance, which Lymond was to exploit at its zenith—the explosion of exploration and trade, high art and political duplicity, personal chivalry and violent warfare in which a young man with a genius for organization and numbers might find himself trusted by princes, loved by kings, and sought in marriage and out of it by clever women bent on power, or wealth, or revenge—or sometimes simply from fondness.